recorded live at Showroom of Contemporary Sound
3 May 2017 – Theater &TD – Zagreb
dedicated to the memory of Tarquin Hobbes aka Danny O Really
composed and directed by Hilary Jeffery
mixed and edited by Gideon Kiers and Hilary Jeffery
Leo Beslać – flute
Katarina Grubić – oboe
Danijel Hršak – trumpet
Hilary Jeffery – trombone, composition
Elena Kakaliagou – french horn
Gideon Kiers – computer, live sound
Lovro Livajić – alto saxophone
Ivan Marincel – trombone
Yaroslav Sadovyy – clarinet
MARCH
MARFA #23
Hilary Jeffery & Eleni Poulou interviewed Philip Corner for Marfa Journal, issue 23!
Featuring a myriad of extraordinary individuals whose charm, wit, and imagination pique the senses from contributors Angela Hill, Esther Theaker, Takashi Homma, Karoline Robl,Oliver Hadlee Pearch, Isabelle Sayer, Alexandra Gordienko, Amy Stickland, Pascal Gambarte, Sharam Saadhat, Alessandro Furchino Capria, Omaima Salem, Danielle Neu, Clara Cullen, Jane Moseley, Jessica Madavo, François Gravel, Tamara Rothstein, Eleni Poulou, Hilary Jeffery, Emilie Kareh and many more.
Curley – ghost
Miodrag Gladović – electric guitar, electronics, computer
Hilary Jeffery – voice, trombone, text
Gideon Kiers – computer, electronics
Gianpaolo Peres – voice
Zsolt Sőrés – voice
commissioned by the Musica Sanae project by In Situ Foundation (Sanatorium of Sound Festival in Sokołowsko) in collaboration with Michał Libera, Phonurgia (La Digestion Festival in Naples) and N.K. Projekt (Berlin).
Recorded live at Castel Nuovo “Maschio Angioino”, Naples on 3 May 2019
Edited and mixed by Gideon Kiers, Miodrag Gladović and Hilary Jeffery
Filmed by URSSS.com
recorded at the end of 2022 on a dark Berlin night
a dialogue between syntheziser and trombone
recorded directly without overdubs.
Our new album was recorded at the end of 2022 on a dark Berlin night. A dialogue between syntheziser and trombone, recorded directly without overdubs.
Hieroglyphic Being + Organza Ray
live concert by Hieroglyphic Being and Organza Ray at Cashmere on Saturday, April 8, 2023 following his week-long residency at Cashmere Radio where he recorded with Organza Ray (Hilary Jeffery and Elope host Eleni Poulou)
recently released on Hinge Thunder, featuring original artwork by Andrey Iskanov!
“Entrance To The Exit” was commissioned by the Musica Sanae project by In Situ Foundation (Sanatorium of Sound Festival in Sokołowsko) in collaboration with Michał Libera, Phonurgia (La Digestion Festival in Naples) and N.K. Projekt (Berlin).
Curley – ghost
Miodrag Gladović – electric guitar, electronics, computer
Hilary Jeffery – voice, trombone, text
Gideon Kiers – computer, electronics
Gianpaolo Peres – voice
Zsolt Sőrés – voice
Recorded live at Castel Nuovo “Maschio Angioino”, Naples on 3 May 2019
Edited and mixed by Gideon Kiers, Miodrag Gladović and Hilary Jeffery
“Mirror Gateway To Beyond”
remix of “Mirror Gate” from the soundtrack to Andrey Iskanov’s “Visions of Suffering: Final Directors Cut” (2016)
Cashmere Specials X Month of Contemporary Music 2022 #5
The last show of the collaboration of Cashmere Radio with the Month of Contemporary Music. Hilary Jeffery and Elena Kakaliagou from Zinc and Copper play some tunes together with composer Juan Felipe Waller. Nico Sauer got a flat tire, Nestor Felipe debuts as a Music Journalist.
hosted by Eleni Poulou featuring a live reading by Martin Ebner and music by Organza Ray, Zigaretten Rauchen, The Fall, Sand, Paid To Practice, Eric D Clark and Minor Tom
Several minutes of dust conditioned to rise. Revealing the story through the drops of water. Spoken word sound collage live music. Theresa Patzschke and Eleni Poulou make tapes, zines, performances.
Organza Ray are Hilary Jeffery and Eleni Poulou. They are connecting pathways of knowledge through sound, discovering shimmering entrances and underwater arches. 400 years of long notes, open bags and dancing butterfly blues.
NOHE NOSHE are Petr Step Kišur (founder of the Honey Suckle Company art collective) and Eleni Poulou (The Fall). They make healing music with synthesizers and an Indian harmoniu
Curley – ghost
Miodrag Gladović – electric guitar, electronics, computer
Hilary Jeffery – voice, trombone, text
Gideon Kiers – computer, electronics
Gianpaolo Peres – voice
Zsolt Sőrés – voice
commissioned by the Musica Sanae project by In Situ Foundation (Sanatorium of Sound Festival in Sokołowsko) in collaboration with Michał Libera, Phonurgia (La Digestion Festival in Naples) and N.K. Projekt (Berlin).
Recorded live at Castel Nuovo “Maschio Angioino”, Naples on 3 May 2019
Edited and mixed by Gideon Kiers, Miodrag Gladović and Hilary Jeffery
Filmed by URSSS.com
composed by Aleksandra Pakhmutova, lyrics by Nikolay Dobronravov and Sergey Grebennikov (1966)
recorded live at Murmansk Spaceport on 28 November 2015
edited and mixed by Hilary Jeffery at Berlintune Studio 2022
There’s no hiding place down here
There’s no hiding place down here
Oh I ran to the rock to hide my face
The rock cried out – “No hiding place”
No hiding place down here
While practising tuba at Tempelhofer Feld in the beautiful Berlin summer of 2020 – in between shutdowns – I found myself playing the melody to “We Shall Overcome”. While playing, new lyrics came to me affirming my firm belief that reality is already virtual enough and so “we shall go offline”.
Singalong with Jupiter Cat!
Jupiter Tuning
During November 2015 musicians from Murmansk and Bodø worked together with Hilary Jeffery resulting in a journey from Murmansk Spaceport to Jupiter. Here is an excerpt to mark the conjunction of the “Jupiter” and “Saturn” mindstates during the “Winter Solstice” of 2020:
music composed by Hilary Jeffery
images by Makino Takashi
performed by David Kweksilber Big Band
solo double bass by Rozemarie Heggen
solo voice by Claron McFadden
Holland Festival 2008
Inconsolable Ghost
“Singapore Channelling”
The Projector – 12 December 2019
Robin Hayward – microtonal tuba
Hilary Jeffery – trombone
Elena Margarita Kakaliagou – french horn
Paul Schwingenschlögl – flugel horn
Robin Hayward in conversation with Thomas Gläßer
“Embodied Harmony” – interactive experiments with sound, tuning audience and Hayward Tuning Vine
Robin Hayward “Alpha Centauri” (Berlin Premiere)
KM28
Karl-Marx-Str. 28
12043 BERLIN Neukölln
funded by Musikfonds e.V. by means of the Federal Government Commissioner for Culture and the Media
take the centre exit
of the fading blue temple building
which is a third space in-between
not one thing or another
sliding through a silent corridoor
into a space beyond the silence
the exit is the entrance
offering a way through the blue smoke
to a misty seashore where a voice shouts
hey!
“You’re on Earth. There’s no cure for that.”
Samuel Beckett – Endgame
JUPITER CAT
if i were a fat cat
“If I Were A Fat Cat”
While practising tuba, shortly after the Corona shutdown started in Berlin, I found myself playing the melody of “I Were A Rich Man” from the musical “Fiddler On The Roof”, while playing this song new lyrics came to me and I realised I had to record them. The lyrics refer to fat cats of this world – if they were to pay their dues (as most of us already do) and share their wealth which many people actually help to generate worldwide, they would help to solve many of the economic and other problems caused by this crisis. I do not have many naïve illusions or hopes that this utopian-psychedelic-Brechtian-anthem will change much, but at least its hopefully some entertainment for friends and colleagues.
